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STEP
THREE: MIDDLE VALUES After the paper dried, I used Miskit to mask the outside edges of the buildings. The Miskit permits multiple washes to register on the same edge, giving the appearance of a single application. I then blocked out the major shapes with light and middle value washes, and dry brush strokes using a mixture of burnt sienna and ultramarine blue. My final composition is now beginning to emerge. At this point, I can confirm or alter initial design decisions. NEXT STEP |
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Information or Comments: charles@charlesharrington.com |